Visar inlägg med etikett Suchao Pongwilai. Visa alla inlägg
Visar inlägg med etikett Suchao Pongwilai. Visa alla inlägg

måndag 28 maj 2012

303 Fear Faith Revenge (303 กลัว/กล้า/อาฆาต, 1999)




303 FearFaith Revenge was the first Thai movie I bought on DVD and it's still a movie I revisit from time to time. If you ask me which the first Thai movie I saw was, I would say something by P. Chalong - because several of his movies was out on VHS here in Sweden. But back to 303. It was the years after Scream and the industry was flooded by slick and very mainstream slasher movies, so it didn't take long until Thailand did their own take on the American tradition of a crazy killer chopping up kids. The Thai's did their own twist and brought back the supernatural twist, which is fine by me - as long the body count won't stop!

St. George boarding school, a Catholic school during the late fifties or early sixties. New students arrived, among them Ghu (Ananda Everingham) who's supported by the church to get a place at the prestigious school. In the Hall of Fame he and his new friends find a photo of Prince Daovadueng, who according to rumours killed himself. They start to investigate the suicide and decides to use an ouija board to contact their dead former school mate - but instead they unleash something much worse, someone who wants to kill everyone at the school! What dark secrets do the school hide?

The story and twists are a bit to convoluted to completely follow, but don't let that stop you to check out this well-made and very visual supernatural slasher. I find it interesting that it uses the same clichés like all movies set on an all girl school (this is a school for boys), including shower scenes and  some not too strong homoerotic undertones (just check out the first scene when two of the boys see each other - it's like from an American romcom!).

That's just a small part of a movie that focuses heavy on the mystery behind the school - what do the priest/principal and school hide? Here famous character actor Suchao Pongwilai make a flawless and complex role as the head priest and Micheal Pupart as his colleague, Brother Wiwat. I guess I'm not the only who noticed the anti-Catholic atmosphere (which I like!) in this movie, from the encouragement of bullying to downright hiding serious crimes and washing away the sins of the past. Its actually very interesting to watch a Thai movie that criticizes the church and very nicely interweave Buddhist faith and traditions from an completely other direction.

The cast is filled with boys who just years later became the brat pack of Thailand and still turns up in genre movies. Most famous of them all is Ananda Everingham who starred in the CRIMINALLY underrated Red Eagle (from director Wisit Sasanatieng in 2010) and still makes the hearts of young girls do somersaults of excitement whenever he show his face. All the grown-ups are very good, much more low-key than usual., Pongwilai of course, but don't forget the always fun Charlie Sungkawess as one of the teachers.

I still don't know what the title stands for or exactly what happens in the movie and it's many twists, but one thing is for sure: it's still a good horror movie that deserves a wider DVD release.

onsdag 21 december 2011

Tsunami 2022 (13-04-2022 สึนามิ วันโลกสังหาร, 2009)

I usually have no problem with patrotic movies from Thailand. They are alway patriotic in a humble way, and always try to learn the audience that no one is perfect and that every human being is worth something. So is not the case with Tsunami 2022, a slightly (not even that really) futuristic movie about the threat of a huge tsunami threatening Bangkok in the year 2022.

We follow a bunch of stereotypes: a young man who are afraid of the water after his parents died in the tsunami 2004, an old scientist that lost his son in that tsunami, the heroic and stoic prime minister, the evil politician that wants to take his place, the son of the evil politician who's even more evil and are rebuilding a small island to a giant casino and bla bla bla. And yes, there is a lot of female characters to, but they are so badly written that it's hard to tell one from another. Of course the heroes believes that a giant tsunami will hit Thailand, but the evil ones dosen't believe them. Until it happens in the last half hour.

As a disaster movie it's nothing new, and the concept with a futuristic Bangkok falls flat. The only thing showing it's a futuristic city is an enormous golden Buddah-statue standing in the water outside the city, which in the end results in of the silliest scenes in the movie. But I can stand stereotypes, if they are written with some kinda love and maybe self-distance. Here there's just stereotypes. The prime minister is so heroic and GOOD that it's absurd. There's absolutely nothing wrong with him, and in the end he alone saves 20-30 kids from a sinking schoolbus! And when he floats away, he get caught in the golden Buddhas hand and together they float up to the surface, the Buddha on two legs and with the sunshine coming through the clouds! Yeah, there's no doubt that he's Buddha reborn. On the other side we have the EVIL EVIL EVIL capitalistic politician who also happens to be GAY with a taste for toyboys, and there's no doubt here that he's gay is a part of his evilness. To take the other characters serious is also hard, because one of them, a hunky native fisherman, have a tribal tatoo that's being washed away everytime he get's near water and the old scientist has the biggest and most fakest beard I've seen for many years. Small things, but because the movie is so serious this just dosen't fit in.

But the main thing is the disaster, yeah? It's quite a big disaster. Bangkok get's drowned by the huge tsunami, trains and cars are flying everywhere, buildings break and people get flushed away - the boring thing is that they obviously didn't have so much money (or the lack of technology) to make it realistic. I have nothing against computer animation, I love it, but here it looks very crappy. There's a few shots during the big finale that looks fine and gives some credibility to the disaster, but the rest is mediocre. This is a movie only for disaster-freaks like myself.

It's been a Tidal Wave-time for asian disaster movies. First we had 252: Signal of Life from Japan in 2008, Haenudae from South Korea and Super Typhoon from China. All big, fat disaster flicks with a lot of hype and money behind them. I will review them all, but for now Tsunami 2022 was the worst. So I hope I have three better movies ahead of me. Wish me luck.