Visar inlägg med etikett JeeJa Yanin. Visa alla inlägg
Visar inlägg med etikett JeeJa Yanin. Visa alla inlägg

lördag 18 maj 2013

The Kick (วอนโดนเตะ!!, 2011)



Last year I visited Thailand for the second time and even if I bought at least 50 movies there, met movie legends and had a blast in every way possible, I think The Kick is one of the first Thai movies I've watched in almost a year. It's not that I got tired of Thai films, it's that I miss Thailand (and Bangkok) so damn much. Watching these flicks makes me go into some kind of post-Thailand depression - and it happens every time. I never travel to Thailand to drink cheap booze or lay on the beach, for me it's about meeting fanastic people, getting lost in the labyrinth of Bangkok streets... I feel at home there, which is odd - I dislike when it's people everywhere. But Bangkok makes me feelt at home. Need to go there soon again...
The Kick is director Prachya Pinkaew (Ong-Bak, Tom yum goong) latest movie to be released, and it was in 2011 (I'm ignoring Elephant White from the same year, which just felt like another boring American action film). But it's never been released in any easy accessible English (or Swedish)-friendly release - until I noticed that Swedish company Njuta Films would release it! One way or another it found it's way to me and hey, this isn't bad at all!
A South Korean Taekwondo family have emigrated to Thailand to (I guess) run a school and stuff like that. By a coincidence they help saving a national treasure, an ancient knife (the McGuffin of this movie, it could have been an elephant, a Buddha or something else - it's just not that important). The baddies wants revenge and the knife, and attacks the family and kidnaps their youngest kid - and the family is forced to help them steal the knife again! But of course they want to make everything right - together with their Thai relatives, masters of Muay Thai!
The films of Pinkaew (and stunt choreographer Rittikrai) have never been famous for their elaborate plots and it's the same with The Kick. It's a very simple story, almost too simple, but works because one of the best casts so far in one of their movies. The South Korean actors are all very good, and handles both the drama and action very well. The main Thai actors are the BRILLIANT JeeJa Yanin, one of the best female fighters I've seen and also a fine actress, and the famous comedian Petchtai Wongkamlao aka Mum Jokmok. I like him, but he's a very aquired taste - and I'm happy to say that he's bringing us a low-key, realistic performance here with very little of his trademark comedy - and he's great. I hope to see him do stuff like this more. He's perfect as a grumpy middle-aged uncle.
But like all of these films the action is the number one star. Now, this is a family friendly action film so don't expect the bloodshed and ultra-violence of the Ong-Bak or Born to Fight, but it doesn't mean it's spectacular. The fights are as usual filmed in a way so we can see what's happening and they're getting gradually more spectacular the further the story goes. The highlight is the when the teenage son uses his dance moves to fight a bunch of baddies in the jungle. It's a brilliant example of how Pinkaew and Rittikrai always tries to evolve the fights, makes them a bit more unique than the usual stuff. Another fun scene is in a kitchen when Mum Jokmok and the South Korean mother creates a chaotic symphony by destroying everything around them in order to kick the shit out of the bad guys. 
It's a lot of action and some very fine stunts during the last half of the movie. So I'm sure you won't be disappointed. It's a fine co-production between South Korea and Thailand and I'm surprised I haven't it seen it getting better distributon outside Asia. I hope more fans of creative martial arts will get a chance to see it. 

söndag 18 december 2011

Chocolate (ช็อคโกแลต, 2008)

2008 was a marvelous year for thai-action. Not only did we see Tony Jaa in the masterpiece Ong-Bak 2 (yes, it was), there was also the charming Som Tum (Released in the west as Muay Thai Giant, more of a family movie, but with great fights and stunts) and the subject of this review: Chocolate, a movie retitled Zen - Warrior Within for the scandianvian release! Terrible "new" title, but probably more easy to sell to stupid teenagers.

JeeJa Yanin plays Zen, an autistic girl that has a real talent: she's extremly fast and learns martial arts quicker than anyone else. Born by a thai woman and a japanese gangster, she's now starving together with her cancer-sick mother and a chubby boy called Mang Moom. First she and Mang Moom starts to have shows on the streets where she catches oranges and other round objects. One day the find her mothers old book where all the people owning her money are written down. Moom and Zen are start collecting the money, and suddenly - with the help of some Tony Jaa-movies - Zen is a martial arts champion, kicking her way through gangsters and other lowlife!

If you fight (no pun intended) your way through the first half hour of thai soft-rock and even lamer popsongs, you will find one of the coolest and most spectacular fight-movies I've seen in a long time. This the second time I've seen it but I honestly didn't remember that it was SO much action in it! The first three fights/chases are vintage Jackie Chan, even if Yanin isn't as quick as a young Jackie or Tony Jaa nowdays. It even get's a bit nasty when people are really getting hurt during the slaughterhouse-fight. One guy kicks to high and get's his foot stuck in a meat hook, looses his balance and get's hangning in it. Brutal and a nice touch! Then it get more serious and quite bloody in a couple of cool sequences, until the stunt-filled finale where people are falling like rain from the walls and roof of a seedy building in the middle of Bangkok.

The only problem is that JeeJa Yanin is quite small and it's hard to believe that she can pull those powerful punches. And the stuntmen are taking it more easy with her than with Tony Jaa or Dan Chupong. But the fighting is beautifully staged and the stunts are wild and painful. This is a movie that deserves much more praise and press than it gotten so far.

A movie that grows and gets better for each time. Good stuff!